Chuck Prophet & His Cumbia Shoes at the Chapel, December 28, 2024
Set One: Louie Ortega
[8:31 PM] {lights down, performer out; greetings and capsule bio speech}
[8:33 PM] County Line
[8:37 PM] {intro to next song: about New Orleans}
[8:37 PM] Shattered
[8:41 PM] {chit chat and intro about Rosa Maria}
[8:42 PM] Rosa Maria
[8:45 PM] {Louie tells us that the next tune is the title track from his 1997 album}
[8:45 PM] In My Heart
[8:48 PM] {tuning, yack about Salinas}
[8:49 PM] Georgie Baker
[8:53 PM] {Louie says he cowrote the next song with Doug Clifford of CCR}
[8:53 PM] Juanita
[8:57 PM] {Louie tells his story about being discovered by Doug Sahm in 1968}
[8:58 PM] Rise
[9:02 PM] {story about being in New Orleans while touring in the Texas Tornados}
[9:03 PM] Rock to Zydeco
[9:06 PM] {Writing a Grammy-winning song with Doug Sahm in Avila Beach}
[9:07 PM] Soy de San Luis
[9:10 PM] {intro about Louie's wife, the rodeo queen}
[9:11 PM] King City
[9:17 PM] {add James & Mike & Vicente for a rousing finale}
[9:17 PM] She's About a Mover
[9:22 PM] (Hey Baby) Que Paso
[9:25 PM] {set ends}
Special Guests
Set Two
[9:35 PM] {lights down, performers out, James dePrato starts on lap steel guitar}
[9:36 PM] ? Money in my pocket
{Jd swaps to guitar}
[9:39 PM] Same Old Crime
[9:42 PM] Wake the Dead
{Alejandro Gomez swaps from keyboard to 12-string acoustic guitar; Mario Cortez swaps from percussion to melodica}
[9:46 PM] Wish Me Luck >
{CP announces that the dance floor is open for cumbia; MC swaps to guiro}
[9:53 PM] ? “ritmo sabor alegria”
{CP asks: how much cowbell is too much? Both MC & VR on cowbell throughout the next tune}
[9:58 PM] Jesus Was a Social Drinker
[10:03 PM] {AG swaps back to Yamaha keyboard; Jd swaps to electric 12-string guitar}
[10:04 PM] Betty's Song
[10:09 PM] {Jd swaps to guitar; AG swaps to 12-string acoustic guitar}
[10:09 PM] Give the Boy a Kiss
[10:14 PM] Killing Machine
[10:20 PM] {AG swaps back to keyboard}
[10:20 PM] Sally Was a Cop
[10:26 PM] {CP dedicates the next tune to Elonia AKA Trump's new wife, Elon Musk}
[10:27 PM] In the Shadows (for Elon)
[10:30 PM] {CP swaps to acoustic guitar; AG swaps to acoustic 12-string guitar; CP & MC yack about the crowd singing like angels}
[10:31 PM] One Lie for Me, One for You
[10:36 PM] {CP swaps back to guitar; AG swaps back to keyboard; CP announces: “It's cumbia time!”}
[10:37 PM] West Memphis Moon
[10:41 PM] {CP introduces the band}
[10:43 PM] Sugar into Water
[10:46 PM] {CP swaps to acoustic guitar; AG swaps to 12-string acoustic guitar; Jd swaps to 12-string electric guitar; CP says “here comes the coolest song in the world”}
[10:46 PM] First Came the Thunder
[10:50 PM] {CP swaps back to guitar; Jd swaps to lap steel guitar; CP says the next tune is a dedication to the best car ever}
[10:n PM] Ford Econoline
[10:54 PM] {Jd swaps to 12-string electric guitar; AG swaps back to keyboard; CP delivers his ambulance rap}
[10:55 PM] You Did (Bomp Shooby Dooby Bomp)
[11:04 PM] {set ends}
Encore
[11:06 PM] {CP: acoustic guitar; James: lap steel guitar; with special guest Stephanie Finch: vox}
[11:06 PM] It's a Good Day to Be Alive
{drop SF; Jd swap back to guitar; add the rest of the band}
[11:09 PM] Wooly Bully (CP/MC)
[11:13 PM] {all bow; CP tells us to go out there and love somebody}
[11:14 PM] {show ends}
Notes
Chuck always puts on a great show, and tonight was even better than usual because it included tectonically deep dub bass from Joaquin Zamudio Garcia. I will be very eager to relisten to this when the stage-recording pops loose (fingers crossed it won't be long!).
Photos