Jump to a different year? Take your pick! ☸ 2000 ☸ 2001 ☸ 2002 ☸ 2003 ☸ 2004 ☸ 2005 ☸ 2006 ☸ 2007 ☸ 2008 ☸ 2009 ☸ 2010 ☸ 2011 ☸ 2012 ☸ 2013 ☸ 2014 ☸ 2015 ☸ 2016 ☸ 2017 ☸ 2018 ☸ 2019 ☸ 2020 ☸ 2021 ☸ 2022 ☸ 2023 ☸ 2024 ☸
SFJAZZ presents Joe Lovano's Trioism-Double Bill featuring Trio Tapestry with Carmen Castaldi & Marilyn Crispell, and Trio Fascination with Bill Frisell & Tyshawn Sorey
Robert M. Miner Auditorium
SFJAZZ Center, 205 Franklin St, San Francisco, CA 94102 USA
7:30 PM, Friday, March 15, 2019
Back to the previous event! ☸ Up to the 2019 yearbox! ☸ Up to the 2019 event list! ☸ On to the next event!
[7:32 PM; lights down, greetings and announcements; Trio Tapestry opens the gig; Joe lays out the plan]
I haven't been following Lovano's career all that closely – my conception was that he was too much a part of the New York Hard Bop contingent to really stimulate my fancy. Not that I disliked his work, on the contrary, I was happy to hear it now and then. Only that it didn't grab my fancy enough for me to keep track of his every step.
So I show up to tonight's gig and am astonished and surprised to hear him playing “out” jazz instead of the bop I'd expected. Cool! Of course, if I'd been a better fan, I would have listened to the Trio Tapestry album in advance. Note to self: prep work is a good idea!
Anyways, I thought the opening mini-set from Trio Tapestry started out a little tentative … as if the players needed five or ten minutes to relax and get themselves into the flow, but once that happened, zip zoom blast off! WOW! They were playing really great stuff. I probably have the song order messed up (or they didn't play it in the order that Joe announced), but according to my notes, during the latter portion of Piano/Drum Episode, Joe performed a duet with himself, playing saxophone and gongs. Haven't seen that before!
For the following tune, Joe swapped to clarinet. From my vantage point, it looked to be a little larger/longer than a standard B♭ soprano, but it was straight, rather than curved or bent. Maybe it was a Basset horn instead?
I was especially enraptured during the middle portion of the show: the Trio Fascination segment. It was really cool to watch the interplay between the musicians – all seemed to be listening hard, making space for the others to state a musical point, then responding or harmonizing or framing a counterposition once the opportunity arose. It's funny to think that this trio performed only two long songs compared to the 8 tunes from the first trio. Different approaches to the same goal?
Having both groups play for the finale was a nice treat, but I was expecting something a bit longer than 15 minutes. Greedy? Yeah, sure, but when the music-making is that good, why not keep it going?
Big thanks to Ting for the photo gallery!
Whoa! This section is incomplete for now, sorry!
Back to the previous event! ☸ Up to the 2019 yearbox! ☸ Up to the 2019 event list! ☸ On to the next event!