Circa at Zellerbach Hall Auditorium, February 4, 2018
One Set
Music (entirely, mostly?) drawn from Il ritorno d'Ulisse in patria (The Return of Ulysses to his Homeland) by Claudio Monteverdi (1567–1643), SV 325 (1639)
[3:05 PM lights down, announcements]
[3:06 PM; tumbling, contortions]
[3:15 PM] Ulysses' aria of return, “Dormo ancora o son desto?” (Am I still asleep, or am I awake?)
[3:18 PM; hand balancing & tumbling]
[3:22 PM] Penelope’s great aria of mourning (and hope and rage), “Di misera regina non terminati mai dolenti affani!” (Miserable Queen, sorrow and trouble never end!)
[Bridie Hooper sash strap? act]
[3:27 PM; trapeze] interlude of electronic music
[3:32 PM; Caroline Baillon multicorde (8 hanging ropes) act]
[3:35 PM] Penelope's aria continues
[3:38 PM; tumbling from the men; then the full ensemble]
[3:42 PM] Penelope's aria continues
[3:45 PM; Bridie Hooper solo (twitching right hand) dance]
[3:48 PM; Caroline or Cecilia tumbling]
[3:50 PM; ensemble tumbling] interlude of electronic music
[3:54 PM] final duet that reunites Ulysses and Penelope “O delle mie fatiche meta dolce e soave” (O sweet, gentle ending of my troubles)
[3:58 PM; 3 pairs of dancers traverse the back wall while balancing together]
[4:02 PM] Ulysses' aria of return, “Dormo ancora o son desto?” (Am I still asleep, or am I awake?) [more ensemble balance play]
[4:07 PM; Bridie & ?male dance]
[4:13 PM; ensemble against the wall: no handed tumbling; excellent handspring solo to conclude]
[show ends 4:16 PM]
Circa
Caroline Baillon
Nathan Boyle
Marty Evans
Bridie Hooper
Todd Kilby
Nathan Knowles
Cecilia Martin
Musicians
Pal Banda: cello;
Nicholas Bootiman: violin, viola;
Cecilia de Santa Maria: harp;
-
Natalie Murray-Beale: music director, piano, harpsichord, keyboards;
Benedict Nelson: baritone vox.
Notes