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2016:2016-04:2016-04-24

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Thierry Escaich at Davies Symphony Hall, April 24, 2016

Set One

[2:59 PM lights down, announcements]

Elgar: Allegro maestoso from Sonata No. 1 in G major, Opus 28

  1. [3:00 PM] Allegro maestoso
    [work ends 3:08 PM]

Brahms: Three works for organ

  1. [3:09 PM] Chorale Prelude, Herzliebster Jesu, Op. 122, No. 2
  2. [3:11 PM] Prelude and Fugue in G minor, WoO 10
  3. [3:14 PM] Chorale Prelude, Es ist ein Ros' entsprungen, Op. 122, No. 8
    [segment ends 3:18 PM; pause for a minute or two]

Vierne: Romance and Final from Symphony No. 4 in G minor for Organ, Op. 32

  1. [3:21 PM] Romance
  2. [3:28 PM] Final
    [set ends ~3:35 PM]

Set Two

[3:44 PM lights down]

Messiaen: Joie et clarté des corps glorieux, from Les Corps glorieux

  1. [3:45 PM] Joie et clarté des corps glorieux
    [work ends 4:05 PM]

Escaich: Trois Poèmes pour orgue

  1. [4:05 PM] Eaux natales
  2. [4:11 PM] Le Masque
  3. [4:17 PM] Vers l'espérance
    [work ends 4:21 PM; pause for a minute or two]

Duruflé: Toccata from Suite for Organ, Op. 5

  1. [4:24 PM] Toccata
    [work ends 4:31 PM; pause for a minute or two]

Escaich: Organ Improvisation

  1. [4:33 PM] (untitled improvisation)
    [set ends 4:44 PM; no encore today?]

Performers

Notes

Last show of the series today, and a real winner. Thierry didn't have much stage presence – I don't recall that he uttered a single word to the audience – but his hands and feet were certainly fleet enough, and he discharged the task of transmitting the difficult works on today's program admirably.

I was surprised that Escaich was assisted by a “stop-puller” on several of the works. All the better to keep his hands dancing across the five (?) manuals of the giant Ruffati console, but it still seemed a little like cheating to me. Heck, maybe it's a common thing – I'm still pretty new at following the organ repertoire. Better keep an eye out for that next year, eh?

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2016/2016-04/2016-04-24.txt · Last modified: 2020/06/14 23:54 by 127.0.0.1