San Francisco Performances presents Javier Perianes
Herbst Theatre
Veterans' Building, San Francisco War Memorial Performing Arts Center, 401 Van Ness Avenue, San Francisco, CA 94102-4522 USA
7:30 PM, Wednesday, February 7, 2024
Back to the previous event! ☸ Up to the 2024 yearbox! ☸ Up to the 2024 event list! ☸ On to the next event!
[7:30 PM] {lights down, pre-recorded announcements}
[7:31 PM] {JP out}
Clara Schumann (1819–1896): Variations on a theme by Robert Schumann, Op. 20 (1853)
Robert Schumann (1810–1856): Sonata No. 3 for Piano in F Minor, Op. 14, III. Variations on a theme of Clara Wieck (1836)
Johannes Brahms (1833–1897): Variations on a Theme of Robert Schumann, Op. 9 (1854)
[8:25 PM] {lights down, JP out, sits down and starts playing before the initial applause tapers off}
Pantaleón Enrique Joaquín Granados Campiña AKA Enrique Granados (1867–1916): Goyescas, Los majos enamorados (The Gallants in Love), Op. 11 (1914)
The “theme by Robert Schumann”, taken from Bunte Blätter (Coloured Leaves), Op.99, Mvt IV Albumblätter (Album leaf), seemed like awfully thin material to me. Maybe Clara and JB took up the notion of spinning out variations as a game or challenge? Something to do to amuse one's friends? I thought the wiki page for Albumblätter hinted at that too.
I thought it was nifty of JP to program Robert's variations on a theme by Clara as the middle piece of the first set – it was a good break from the repetition of the initial theme in the first and last selections!
Stephen Smoliar posted a review that fails to mention the omission of the final portion of the complete Goyescas suite, El Pelele. Very peculiar! He walked out of the hall just a few people ahead of me at the end of the night, so it can't be the case that he skipped out early. Maybe he was snoozing at the end of the second set?
SFPerformances posted an updated program on the afternoon before the show that removes El Pelele and Eric Bamburger's programmatic comments thereon. That program change is thus a little less surprising, if unexplained, and inconsistent with both the original promotion for tonight's event and JP's recent recording (which included that piece).
I enjoyed this show – especially the super dynamic encore – but I was slightly put off by the way that JP seemed to rush through the event. No time to talk? No time so sit and breath in between movements or variations? Weird!
Program Notes or program notes
Back to the previous event! ☸ Up to the 2024 yearbox! ☸ Up to the 2024 event list! ☸ On to the next event!