Chick Corea at Davies Symphony Hall, November 10, 2019
Set One
[7:38 PM; lights down; CC talks a bit about his history playing in SF and his first composer pairing: Mozart & Gershwin]
[7:44 PM] (unidentified Mozart piece) »
[7:48 PM] Someone to Watch Over Me (Gershwin)
[7:55 PM; CC talks about how studying a score is like conversing with the composer]
[7:57 PM] Alexander Scriabin (1871-1915): Prelude in E minor, Op. 11, No. 4 (1888), mvt I: Lento
[8:03 PM] Waltz for Debby (Bill Evans)
[8:11 PM; CC talks about Scarlatti & Jobim]
[8:14 PM] (CC improvisational prelude for Scarlatti) »
[8:16 PM] (unidentified piece by Domenico Scarlatti) »
[8:21 PM] Desafinado (Jobim)
[set ends 8:27 PM; CC tells us it's time for break!]
Set Two
[8:51 PM; lights down; more stories from Chick, who dedicates the first tune to the memory of Paco de Lucia]
[8:53 PM] The Yellow Nimbus
[9:03 PM; CC explains that it's time to play the game of musical portraits; asks for volunteers from the audience]
[9:05 PM] Portrait of Carol
[9:08 PM; pause to recruit another volunteer: Adrian the painter]
[9:08 PM] Portrait of Adrian
[9:11 PM; CC announces the next game: 4 hands improv! Volunteers?]
[9:11 PM] (duet with Chad)
[9:16 PM; pause to recruit another volunteer … has to be a female …]
[9:17 PM] (duet with Kim)
[9:20 PM; Chick says that next he's going to play a number of his Children's Songs]
[9:22 PM] Children's Song No. 1
[9:24 PM] Children's Song No. 3
[9:25 PM] Children's Song No. 4
[9:29 PM] Children's Song No. 6
[9:32 PM] Children's Song No. 9
[9:34 PM] Children's Song No. 10
[9:38 PM] Children's Song No. 12
[set ends 9:46 PM; Chick takes a bunch of iphone shots of the crowd; heads offstage while we hoot & holler for more]
Encore
[9:47 PM; Chick talks awhile about how his tune Spain evolved from Rodrigo's Concierto de Aranjuez]
[9:50 PM] Concierto de Aranjuez (Rodrigo) »
[9:55 PM] Spain (Corea)
[show ends 10:00 PM; CC off like a rocket!]
Notes
Yowza!
Chick's only solo performance of the year, tonight was one of those great shows that's hard to really classify. Presented without amplification of the piano, I'm really glad that I had a seat up close in the second row – all the better to focus on the magic-making in front of me! The pairing of classical and jazz/popular pieces in the first half was really cool … even if Monk didn't make it onto the list (awww, I feel cheated!). And the playfulness of the second half was something really rare … I don't recall ever seeing something like that at a show before. Did it work? Well yeah, well enough! Hopefully the show was a big enough success that they'll bring him back next year for a reprise gig!
Back to the previous event! ☸ Up to the 2019 yearbox! ☸ Up to the 2019 event list! ☸ On to the next event!