Yuja Wang at Davies Symphony Hall, October 15, 2013
Set One
[8:04 PM lights down, announcements]
Prokofiev: Piano Sonata No. 3 in A minor, Op. 28
Sergei Prokofiev (1891-1953): Piano Sonata No. 3 in A minor, Op. 28 (1917), (ca. 8 minutes)
[8:m PM] Allegro tempestoso - Moderato - Allegro tempestoso - Moderato - Più lento - Più animato - Allegro I - Poco più mosso
work ends [8:16 PM]
Chopin: Piano Sonata No. 3 in B minor, Op. 58
Frédéric François Chopin (1810-1849): Piano Sonata No. 3 in B minor, Op. 58 (1844) (ca. 30 minutes)
[8:19 PM] Allegro maestoso
[8:m PM] Scherzo: Molto vivace
[8:25 PM] Largo
[8:36 PM] Finale: Presto non tanto; Agitato
work ends [8:41 PM]
Set Two
Kapustin: Variations for Piano, Op. 41 (1984)
Nikolai Kapustin (b.1937): Variations for Piano, Op. 41 (1984)
[9:06 PM]
work ends [9:13 PM]
Chopin: Nocturne No. 13 in C minor, Op. 48, No.1
Frédéric François Chopin (1810-1849): Nocturne No. 13 in C minor, Op. 28, No.1 (1841)
[9:14 PM] Lento - poco più lento - doppio movimento agitato
work ends [9:19 PM]
Chopin: Ballade No. 3 in A-flat, Op. 47
Frédéric François Chopin (1810-1849): Ballade No. 3 in A-flat, Op. 47 (1841)
[9:20 PM] Dolce - messa voce
work ends [9:27 PM]
Stravinsky: Trois mouvements de Petrouchka
Igor Stravinsky (1882-1971): Trois mouvements de Petrouchka (Three Movements from Petrushka), (1921, 1947)
[9:28 PM] Danse russe (Russian Dance)
[9:m PM] Chez Pétrouchka (Petrushka's Room)
[9:m PM] La semaine grasse (The Shrovetide Fair; Mardi Gras)
[set ends 9:43 PM]
Encores
[9:43 PM] Vincent Youman: Tea for Two
[ends 9:47 PM, Yuja off, then back for applause]
[9:49 PM] Vladimir Horowitz (1903-1989): Variations on a Theme from Carmen
[ends 9:52 PM, Yuja off, then back for applause]
[9:54 PM] Sergei Rachmaninoff: Vocalise, Op. 34, No. 14 (1912)
[show ends 9:57 PM]
Notes
I enjoyed tonight's recital, but not quite as much as the Schiff recital a few days earlier. It was interesting to sit off to stage right … I had an excellent view of Yuja's left hand, but it was awkward sitting at an angle in my chair, and I preferred the full piano tone of the center section seat I enjoyed for the other show.
Stephen Smoliar's review for the Examiner.
Back to the calendar!